496 Vol. 110 TMR
success of athletes, the regular media appearance of a television
presenter, or the achievements and public persona of politicians and
dignitaries. Such names would lack distinctive character for printed
matter and similar media as an indication of content and subject,
not commercial source.
This approach was rejected by the Federal Patent Court. In the
assessment of the distinctive character of the name of a well-known
living individual, the customs of the relevant product sector must
also be taken into account. This includes the way in which the
relevant designations are normally used on the goods concerned,
including, in particular, the place the name is affixed. This is
because the normal use of a sign determines the public’s perception
of the sign. When a consumer encounters a sign in a place where
trademarks are usually found, they tend to regard it as an indication
of origin. Conversely, use of that name by affixation in a place not
normally associated with a source indication would more be
perceived as a descriptive use.
The Federal Patent Court emphasized that a minimum degree
of distinctiveness does not require that every possible use of the sign
is use as a trademark. It is sufficient that there are practically
significant and obvious possibilities of using the sign in such a way
that the public will perceive it as a trademark. A sign may thus be
devoid of distinctive character if, in the most probable form of use,
it is not perceived by the public as an indication of origin. The
Federal Patent Court concluded that the mark FRANZISKA VAN
ALMSICK must be assumed to be used in a manner consistent with
use as an indication of origin and assessed in that light.
Applying such notional use in the context of image, sound, and
data carriers (CD, DVD, and CD-ROMs) and printed matter (books
and periodicals), the public would be accustomed to the fact that
both the topic or subject of these products (i.e., the title of the work
and the authors, actors, directors, screenwriters, composers, or
musicians responsible for it) and the indication of origin (i.e., the
book publisher, music label production, and distribution company)
are indicated next to each other. Since such indications tend to
predominantly be found in predetermined locations on the goods,
the public is able to deduce whether it is an indication of an author,
a title, or a publisher. For example, it is common practice in the sale
of books to highlight the author and work title (including graphical
elements) and generally place them in the upper two thirds of the
book cover. The indication of origin, being the publisher’s indication,
is almost always found in a smaller font at the bottom of the book.
The same practice applies to image and sound carriers, where the
indication of origin is usually smaller than the title and the author’s
name on the front or might only be on the back of the data carrier.
Following such established practice, a consumer can be expected
to assume that the name at the bottom of the book cover will be the